Motion’s the dead giveaway,
eye catcher, the revealing risk:
the caterpillar sulls on the hot macadam
but then, risking, ripples to the bush:
the cricket, startled, leaps the
quickest arc: the earthwrom, casting,
nudges a grassblade, and the sharp robin
strikes: sound’s the other
announcement: the redbird lands in
an elm branch and tests the air with
cheeps for an answering, reassuring
cheep, for a motion already cleared:
survival organizes these means down to
tension, to enwrapped, twisting suasions:
every act or non-act enceinte with risk or
prize: why must the revelations be
sound and motion, the point, too, moving and
saying through the scary opposites to death.